History of a Song: May - "Reverently and Meekly Now"

The words for this hymn were written by Joseph L. Townsend (1849-1942) and the music was written by Ebeneezer Beesley (1840-1906) The text for this hymn was written in 1891 and in 1986 the journal of the Hymn Society of America praised this hymn for its 'special poignancy'.

Joseph Townsend was born in Pennsylvania in 1849, but traveled a bit when he was younger and ended up growing up in Ohio, Kansas and Missouri. He attended the University of Missouri and later moved to Utah to try and improve his health and well being. In 1872, he converted the the LDS church and later served a mission for this church. He was a principal of Payson High school in Utah and taught at Brigham Young Academy in Provo. He has a total of ten hymns in the current LDS hymnal and he died in Payson Utah on April 1, 1942. His hymns and songs include 'Choose the Right' and his words and works have been quoted many times over the year by various general authorities including our current prophet Thomas S. Monson. Mr Townsend is also listed as one of the '75 Significant Mormon Poets' or 'Early Mormon Poets of Note'. (On a funny side note, I couldn't find a picture of this artist to display... but he does have his own Facebook page. :D )

Ebenezer Beesley was born in England in 1840. His family converted to the Mormon religion when he was quite young and he was baptized in September 1849. When he was an adult, he emigrated to Utah territory in the George Rowley handcart company with his family- they were in the eighth company and Mr Beesley was known to play his flute for the group when everyone was camped at night. They later moved to Salt Lake City and he served in many musical positions in his ward which included choir director and music director. Mr. Beesley was a contributor to the Juvenile Instructor magazine and was also one of the few who was appointed by the prophet John Taylor to oversee the publication of the first LDS hymnbook which included music- there is a picture online of the artist with this prophet that the LDS church has in its archives. In 1880, he became the director of the Mormon Tabernacle Choir and was with the choir when they made their first trip to perform out of Salt Lake City. Eleven hymns in the current LDS hymnal contain music written by this author. He was known to play the violin and a picture of him and his violin was published in the book “The Mission”.

One unusual aspect of this song is that the lyrics speak from the Savior's point of view and not from a third person position. This aspect of the song helps to make the hymn more personal as we sing it and hear the pleading of our Savior in the words that we echo around us. Another aspect about this hymn that is not common in most hymns is that this particular song has whole verses that are song by only one gender. Whole verses and words attributed to the Savior are sung only by female voices. In that sense, this is one hymn that gives women in the LDS church a voice during Sacrament. All of the rest of the ordinance is presided over by priesthood holders alone... but in this hymn and a few others that are usually used for the sacrament portion of the meeting women have a part all their own that is important and beautiful in its own right. And if you think about it, this way of singing in church is not only unusual, but seems to be almost entirely restricted to sacrament hymns. In my mind, this gives women a power of their own to bless the sacrament in their own way in this important and necessary function of our meetings and our salvation. (That said, in many congregations, men do sing the female only parts making this thought sort of a mute point... and not all women are sopranos so it could be argued that even some women are left out of this 'blessing'. :)

This hymn is currently #185 in the LDS hymnal. It is a favorite of many members and has been performed by the Mormon Tabernacle Choir as well as numerous other artists. I researched this hymn because it is a favorite of my cousin Lance. What does this song mean to you? Please share.

History of a Song: January - “All Creatures of Our God and King”

This hymn has a long history and actually was originally published hundreds of years after the authors death. The lyrics of this hymn were written by Giovanni Francesco di Bernardone – more commonly known as St. Francis of Assisi. He was born around the year 1181 and was the son of a wealthy merchant in Assisi. In 1204, he had a vision and soon he decided to live in poverty and become a preacher. He developed a following which was endorsed by the Roman Catholic pope in 1210 and became known as the Franciscan order. He was known to have said - “If you have men who will exclude any of God's creatures from the shelter of compassion and pity, you will have men who will deal likewise with their fellow men.” Later in his life, he founded an order for older women as well as the Third Order of Brothers and Sisters of Penance. There are around sixty hymns that it is believed that he wrote and he is also known as the first saint known to have received the stigmata (which he received in 1224 and are commonly known as the wounds of Christ's Passion.) He died in October 1226 and was granted sainthood in 1228. In the Roman Catholic Tradition, he is known as the patron saint of animals and the environment and has a feast day that is celebrated on October 4th every year.

Originally written in Italian and named Cantico di fratre sole (Song of Brother Sun), this hymn was written shortly before his death and reflects his meditations on Psalm 145. It was published almost 400 years later with music called Geistliche Kirchengeange written by Koln in 1623 (in German). Harmony for these lyrics to the tune Lasst Uns Erfreuen was later written by Ralph Vaughan Williams and published in the English Hymnal in 1906 and was # 519.


It was first trans­lat­ed into the English language by William Henry Draper and his version has remained the most popular version to this date. Born in 1855 in Kenilworth, England, he was educated at Keble College in Oxford and was later a curate and a vicar. He translated the song into English in 1910 for a children's festival in England and his version first appeared in a hymn book in 1919. In his lifetime he wrote about sixty hymns, but this song was his only translation. William Draper died in 1933.

This song has been performed by several artists. It has been performed and recorded by the BYU Concert Choir in 1984, Patty Griffin in her newest album release in January 2010, and the Mormon Tabernacle Choir on their album Hymns of Faith II. In 2008, a group of musicians called Eclipse released an album called “Grateful Praise” with a recorded version of this song... which later received a CASA award for best recorded sacred song. In short, it might be easy to name individuals that haven’t performed this song than those who have- slight exaggeration there. :)

I researched this song on the recommendation of a good friend- Cathy McCoy. What does this hymn mean to you? Is it a hymn that you like... and why? If you do not like it, why not?

History of a Song: June - “Each Life That Touches Our Life For Good”

This song was written by Karen L. Davidson and the music was written by A. Laurence Lyon. This song was pretty interesting to research because I discovered that both artists are members of the LDS church. In my random 'picking' of songs, I haven't really hit on that phenomenon. In fact I have started to get the idea that most authors and composers of hymns that are included in the current LDS hymnbook are not actually members or even enthusiasts of the Mormon church.

Karen Lynn Davidson was born in 1943 in the United States. Ms. Davidson received her first two degrees from Brigham Young University and her doctorate from the University of Southern California. Later she did some post-doctoral research and also taught English as a school or two. She is an author as well as a hymnwriter. She has written two hymns including “Each Life...” that are included in the current LDS edition of the English hymnbook. She was one of two editors of the recent publication of Eliza R. Snow: The Complete Poetry (Documents in Latter-day Saint History) which was published in 2009. Karen Davidson was also interviewed by J. Stapley who writes for the LDS blog “By Common Consent”about her work. She is currently working as a co-editor of one of the volumes in the Joseph Smith Papers Project.

A. Laurence Lyon was born in 1934 in Rotterdam, Netherlands. His father was serving as the President of the Netherlands mission of the Mormon church. He became a great piano player and at age 16, he was called as the organist for his LDS congregation. He served a mission in the Netherlands and he also sang at the dedication of the LDS Swiss Temple. A. Lyon got his bachelor's degree at the University of Utah and then later received a doctorate from the Eastman School of Music. He became a very productive composer. He has been active in his participation with the music for several temple dedications. Two of his works are included in the current edition of the LDS hymn book including “Each Life...” and songs in the Children's Songbook (Primary hymn book) including “An Angel Came To Joseph Smith” and “Christmas Bells”.

I must confess that I had never heard this song that I know of until a few weeks ago. I was flipping through the hymnal the other day while listening to a speaker and this song just caught my eye and I couldn't let it go. I came home and listened to it several times over the last few weeks. It seems to grow on me the more I listen to it... Have you heard this song? Do you have any particular thoughts about it? Do you know the authors so you can give us an idea of the inspiration behind their work? I am very interested....!

History of a Song: February - "I Hope They Call Me On A Mission"

(I have wondered sometimes about the history of some of the primary songs and the hymns we sing in church. So I thought that I would look one up once a month and indulge myself!)

The song “I Hope They Call Me On A Mission” was original written in 1970 by Newel Kay Brown. He is originally born in Salt Lake City (a leap year baby!) and currently as of 2010 lived in Texas. He also wrote a few pieces for flute and clarinet as well as a hymn currently in the hymnal (#71 With Songs of Praise). During an interview, Brother Brown said that his inspiration for the song came from one of his favorite songs “A Mormon Boy”. When he was asked to contribute a song on missionary work for possible inclusion in a song book, he tried to write a song that reminded him of his long ago favorite.

This song is one of the few songs that it is fairly guaranteed that most Mormon children will know by heart before they reach their age of majority. It has been performed by Enoch Train, Ryan Shupe and the Rubberbands as well as inclusion in a LDS movie or two. It has also been made into a satire by John Bytheway (Somehow They Called Me On a Mission) and a spoof of the song was reported to travel around the BYU co-ed dorms for a while.

*****I hope they call you on a mission
So you'll be gone a year or two.
By then, I'll probably be married
So I'll no longer have to deal with jerks like you*****

This song is interesting in a few ways. One is its almost universal appeal- children like to sing it and seem quite exuberant about it. I do wonder how many children truly understand the lyrics and really want to go on missions based on thousands of repetitions of a song. I guess I also wonder how guys feel about this song in general. I mean, men are not really allowed to 'hope' they will be called- it is practically mandatory. So I think that girls can make the decision as they are growing up and 'hope to be called', but that is not the same situation as boys. And the church in many ways does not advocate for women to go on missions...

So, if you went on a mission, do you think that this song helped you 'decide early' to go on a mission? What does this song mean to you?